Umberto Boccioni
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Architecture: Umberto Boccioni
Umberto Boccioni, an Italian painter, a writer, a sculptor and a printmaker is a principal figure of what can be termed as futurism. He is a person who has helped to shape the aesthetic revolutionary movement about the sector of art. In spite of the brevity he held, he had a wide concern of the kind of dynamism of form especially with the breakdown of the solid mass in all his sculptures that continued to influence other existing and upcoming artists. Therefore, the greatest focus of this great artist was on portraying the dynamism movement that was taking shape during his times. He was to become the main theorist of the artistic movement, that is when he decided to become sculptor, and this interest was combined by the various visits that he had made in the studios in the year 1912 in Paris. This paper looks at some of his great artistic work on how major concepts have been brought out. Art is not just art without bringing in the concept of relevance, and any artist who majors in paintings, sculptures and writing must make sure that what he sends to the audience is something that has themes. More so, the most renowned museums are known to give relevance and themes when it comes to choosing the art for display.
UNIQUE FORMS OF CONTINUITY IN SPACE
This was a bronze futurist kind of sculptor, which was seen as a portrayal, or expression of fluidity and movement. The greatest depiction here is that of futurism and in doing so, he had rejected the traditional sculptor that majorly did not reflect a theme or a concept. The sculpture has been depicted as an observation of Italian-issue that revolved around the 20-cent euro coin. It was a form of futurism but depicting a politicized space (Antliff 720-733). He continues to argue that the artist did not seek to come up or generate some fourth dimensional form by the motion of the 3D object through space. However, overall, the representation is unique and which suggests that he was leading the way for future arts with some themes.
The work by this great artist conforms with the values attached to major international museums in the world and an example being Louvre, which makes sure that its arts conform to some thematic trails. For instance, some of the arts are about the Islamic culture and calligraphy in the religion, the still life of the painting in the northern Europe as well as the French sculpture on a lion hunt. The works displayed in this museum are those that have symbolism, settings and scenes that show explicitly some lessons. However, this art is not without some criticism where it actually is hard to understand the real meaning and the interpretations may be distorted (Kramer 35-51). On the upper side, the art is to be praised for the kind of aesthetics that it puts on how it acts like a lesson or the ground for future arts to base on. The fact that it was based on some themes makes it relevant not only in those past days but also in the present world.
The Street Enters the House. This is another painting of Umberto Boccioni, which too depicted a kind of futurist style and where the work centers on a woman on a balcony in a very busy street. There are too sounds of activity in this futurist portrayal and the depiction was a kind of riot of colors and shapes. The woman dressed in blue, white is overlooking a busy street scene and the description of the scene, and the woman is riot of lines, colors and angles. The workers in front of her are lifting poles to form a new building and walls and this is shown by the pile of bricks that are surrounding them. In the interpretation of this painting, the woman becomes the center of focus, and as it will seen later, some scholars have thought it anonymous but Boccioni thinks otherwise.
Hughes (103-108) interprets Umberto Boccioni’s painting of this woman as showing the evolution of the painter from the old neo-impressionist style to a more aligned kind of sty that has the ideals of cubism as well as the increasing fascination of scientific terminology. The painter puts the women of his family as the models and interpretation of his work, and in this work, it has been concluded that Boccioni put his own mother in the depiction of the painting The Street Enters the House. Generally, this puts the painter as having changing views of women and particularly, the mothers in the society. This is in line with some of the principles that the painter used to employ. For example, the Roentgen rays that allows the personages to be analyzed for a number of angles. With all interpretation regarded as also relevant, the most outcome of the interpretation is that of women who have changed, and whose direction is a bright future for them and a future that also takes them as people who can also undertake in active measures in the larger society.
The way this portrayal of the woman is put up by the painter is in line with the emerging themes in major works of art. For example, in The Art of Institute of Chicago museum (http://www.artic.edu/aic/), this has explored major themes in its displays. One of the outstanding themes is the portrayal of icons in the society where people are brought out especially those who have contributed immensely in the society. Here, the woman who from the interpretation could be the mother to Boccioni has also important and major contribution to anything that happens in the society. For example, the woman in the painting is placed in front of some builders, and this could be interpreted to mean she has some interest of some sort. However, the painting is not without some criticism especially on ambiguities it portrays.
Evaluation of His Arts. This person is a person who blended himself with what was happening in his surrounding (Wilder 310). For example, the Unique Forms of Continuity in Space is one, which displays his strong connection with everything that was happening in his environment, especially on displaying a futurist idea and the whole movement. Again, the art The Street enters the house, which was painted in the year 1911 shows a woman who is peering over the balcony with the scene below being of persons who are building. It shows some interest in this woman in everything that is happening down the building she was in as well as the street, and therefore, and with the depiction of the woman being a woman in his family, it shows a person who is connected to everything that happens in the society. That includes showing out some relevant themes such as the future of art and politics in the society. He is a person to be celebrated for taking care of the art when he had a chance and setting a base for other futurists to base their art on.
Umberto Boccioni was a person who was embedded in his art and somebody who made the future for the artists appear relevant. Taking an example of one of his art about the 20 cent in Italy, it shows a person who is embedded in everything that happens including politics. These themes are portrayed by major museums in the world, which tend to focus on what is important for the society and leave out the larger part of entertainment.
Works cited
Antliff, Mark. The Fourth Dimension and Futurism: A politicized Space. Journal of the Art Bulletin, Dec, 2000, Vol. 82(4), pp 720-733. Print.
Hughes, David Y. Review: God, the Devil, and H.G. Wells. Journal of Science Fiction Studies, March 1989, Vol. 16(1), pp 103-108. Print.
Kramer, Hilton. The Age of the Avant-Garde. Journal of Aesthetic Education, April 1973, Vol. 7(2), pp 35-51. Print.
Wilder, Jesse B. Art history for dummies. New Jersey: John Wiley & Sons, Inc, 2008. Print.